Bazine

基本解釋

Tarkovsky's movie view is based on his image ontology that is different from both Sergei Eisenstein and Andre Bazin.
他的影像本體論思想既不同于愛森斯坦,也不同于巴贊。
There had been wide and deep studies on Bazin of the Chinese film circles for a long time.
長期以來，中國電影界對巴贊進行了廣泛而深入的研究。
But it cannot strike Bazin"s status.And the long-shot technique isn"t the same as that of Bazin advocated.
這樣的事實絲毫動搖不了巴贊的地位，并且這種長鏡頭也與巴贊主張的長鏡頭不甚相同。
The appendix describes long-shot technique independent developments in Chinese filmic practice before the influence of Bazin.
在附錄部分，本文描述了在巴贊對中國電影產(chǎn)生影響之前，中國電影創(chuàng)作中已經(jīng)出現(xiàn)的獨立發(fā)展的長鏡頭手法。
The trend to a great extent has inherited and developed the neorealist spirit of Italian films and Bazin's cinematic concepts of realistic, ontology, asymptote of reality.
現(xiàn)實主義電影思潮在很大程度上繼承并發(fā)展了巴贊的“寫實主義電影觀”、“影像本體論”與“現(xiàn)實漸近線”理論以及意大利新現(xiàn)實主義電影的精神。