composing techniques

基本解釋

The Writer would analyze deeply the last interlude and finale of it in musical style and composing techniques and study Berg's view of esthetics in this opera creation.
本文作者主要對(duì)該劇的最后一個(gè)間奏曲和終曲在音樂(lè)的形態(tài)以及創(chuàng)作手法等方面進(jìn)行深入的分析，并對(duì)貝爾格在本歌劇創(chuàng)作中的美學(xué)觀進(jìn)行了探索。
He has always investigated the development way to combine together the Chinese traditional music, the west classical music and modem composing techniques for many years.
多年來(lái)，他一直在努力探索中國(guó)傳統(tǒng)音樂(lè)與西方古典、現(xiàn)代作曲技法相結(jié)合的民族化鋼琴音樂(lè)的發(fā)展道路。
In fact, they didn't pay enough attention to the old successful composing techniques such as the combination of tradition and innovation and the negotiation of professional music and massive music.
事實(shí)上，他們有許多善于拿捏好傳統(tǒng)與創(chuàng)新、專(zhuān)業(yè)與普及關(guān)系的修養(yǎng)和技術(shù)，都還未能引起學(xué)子們的注意。

創(chuàng)作手法
The second chapter is main part of this paper. We emphatically compare the commonness and the difference between "White hair women" and "Zan Yue" in the composing techniques of musical style, vocal performance and stage craft.
第二章是本文的主體部分,著重比較了《白毛女》與《蒼原》這兩部中國(guó)歌劇經(jīng)典的創(chuàng)作風(fēng)格,在音樂(lè)風(fēng)格,歌唱表演和舞臺(tái)藝術(shù)等方面創(chuàng)作手法的共性和差異性。
旋律創(chuàng)作技法