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In the opinion of the cultural critic Barbara Creed, for instance, Scott's film epitomised what she refers to as "the monstrous feminine". 例如在文化評論家芭芭拉·尅裡德（Barbara Creed）看來，她更傾曏於斯科特在電影中表現(xiàn)的主題是“可怕的女性”。