Adorno

常見(jiàn)例句

As an important member of Frankfurt School, Adorno studied profoundly the modern art and media culture.
阿多諾的否定性美學(xué)與康德的美學(xué)觀唸、代主義藝術(shù)、衆(zhòng)文化之間有著密切的聯(lián)系。
With this doubt,Adorno developed his negative dialectics theory of aesthetics by criticizing Kant's aesthetics.
阿多諾帶著這樣的疑問(wèn),在對(duì)康德美學(xué)的批判中,發(fā)展出自己的否定辯証法的美學(xué)理論。
Adorno rethinks of the technology and furthers the thought of reason of the tool.
由此阿多諾又對(duì)技術(shù)中介進(jìn)行了再次抽象反思,展開(kāi)對(duì)工具理性的思考。
Adorno's aesthetic ideas embodied consideration of human beings and anxiety of loss of humanity.
不僅如此,他還找出了自己的解決辦法,即藝術(shù)的自律。
Therefore, Adorno's natural beauty outlook is only a theological natural beauty outlook.
因此，阿多諾的自然美觀衹是一種神學(xué)的自然美觀。
Abstract: As for Adorno＇ s Negative Dialectics, an misunderstanding has lasting for a long time ince,i.e, it is opposite to totality.
文章摘要: 關(guān)於阿多諾的“否定的辯証法”，有一個(gè)由來(lái)已久的錯(cuò)誤認(rèn)識(shí)，即認(rèn)爲(wèi)它是反“縂躰性”的。